Since her sparkling debut in 1995 – in Larry Clark’s Kids – this American original has been an indie cinema favourite, excelling in edgy, complex roles. We pick the standouts
Kudos to Sevigny for fully committing herself to fellating her director and co-star, Vincent Gallo, in the sleaziest, least necessary scene in his downbeat, 1970s-style road movie. Elsewhere, the driving sequences are mesmerising, but I must be careful what I write about the iffy sexual politics since Gallo once called me a “commie lesbian witch”.
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